Windshift for Writers:A resource of markets, tips and courses for writers of fiction and nonfiction |
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To Subscribe to this newsletter. please Contact Windshift from here.August - Summer on the west coast has been glorious so far. I am counting on another month of it. The strawberries are finally done only to be replaced by tomatoes and green beans. The taste can't be bought!Several subscribers have queried my suggestions of foreign markets in the Markets section of this newsletter rather than offering only Canadian ones. This is deliberate on my part. I know that Canadian writers are able to pursue those few markets through their own research. Also, not all subscribers are Canadian. I have information on many more world markets than I am ever able to share with you. If you have particular market needs that I don't cover, please e-mail and I will see what I can do.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Brick Magazine - is a literary journal that publishes non-fiction. Pays from $100.00 to $500.00 depending on length. Check submission guidelines at http://brickmag.com or mail to Michael Redhill, Managing Editor, Box 537, Stn Q, Toronto, Ontario, M4T 2M5; E-mail: info@brickmag.com Massachusetts Review - seeks poems and stories from emerging writers. Contact: Editor, Memorial Hall, Univ. of Mass., Amherst, Mass 01003; E-mail: massrev@external.umass.edu ; Website: www.massreview.org Broken Pencil - seeks articles and features from 1000 - 3000 words and fiction from 50 - 3000 words. Contact Ken Sparling, Editor, P O Box 203 Stn P, Toronto, Ontario, M5S 2S7; E-mail: fiction@brokenpencil.com; Website: www.brokenpencil.com Heat - seeks samples of international contemporary writing. No e-mail submissions. Contact: Editor, Heat Magazine, School of Language and Media, Univ. of Newcastle, Callaghan, NSW 2308, Australia; Website: www.ozemail.com.au; E-mail: heat@newcastle.edu.au
Strand Magazine - seeks mystery stories and articles. Contact: Editor, P O Box 1418, Birmingham, MI 48012, USA. E-mail: strandmag@strandmag.com Website: www.strandmag.com Open City Magazine - seeks poetry and prose material. Do not send before August 31, 2003. Contact: Editor, 270 Lafayette Street, Suite 1412, New York, NY 10012, USA; Website: www.opencity.org Tor Books - publishes fiction [most genres] and non-fiction. No unsolicited mss but synopses welcome. Contact: Appropriate Editor, 175 Fifth Ave, 14th floor, New York, NY 10010; Website: www.tor.com Grove/Atlantic Inc - publishes fiction and non-fiction. Contact: Appropriate Editor, 841 Broadway, New York, NY 10003; Website: www.groveatlantic.com ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 1. Buy a tabloid. Using one of the stories about an event, "Man escapes shark." or "Little boy found after hours in woods" and develop it into a story. 2. List three events in your life where you were very unsure of yourself. Narrow it down to one and create a character of the opposite sex that has a similar problem. Industry News: It goes without saying that the
recent passing of author Carol Shields has left a great gap in the Canadian
literary scene. SUBSCRIBER SUCCESSES !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! The answers offered in this column are the personal opinions of the staff at Windshift for Writers. They are in no way meant to take the place of the professional advice you may need to seek for your specific query. Questions and Answers Q. How many characters should there be in
a short story? - Alanis T. - Q. Is it wrong to start a short story by telling something about the main character's background? - Donald K. - A. All fiction should start close to a high point of interest, when something is happening or about to happen to the main character. There is little time or space to establish the background or describe events leading up to the main event of the story. You stand a great danger of holding up the action of the story and losing your reader if you take too long to lead into the action.
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